squame publishing

Kamasutra 64

BOOK

illustration

2013

Kamasutra 64 Artbook is a unique art book created by 64 international artists.
With 144 full-color pages, it offers a fresh, artistic perspective on one of the oldest and most fascinating subjects: sex. Each artist contributes their personal, authentic, and vibrant interpretation of one of the 64 Kamasutra positions, presenting an original and diverse vision of this ancient text.

Cover Artwork: Dilraj Mann
Artists involved: Eleonora Antonioni, Arnus, Bianca Bagnarelli, Margherita Barrera, Rubens Cantuni, Giulio Castagnaro, Daniele Catalli, Francesco Cattani, Lorenzo Ceccotti, Marco Corona, Alberto Corradi, Andrea Chronopoulos, Darkam, Alessandra De Cristofaro, Dalia Del Bue, Mariachiara Di Giorgio, Camilla Falsini, Alberto Fiocco, Manuele Fior, Elke Foltz, Albert Foolmoon, Ale Giorgini, Grapheart, Roberto Grossi, Céline Guichardr, Hellofreaks, Hitnes, Rafaël Houée, il Pistrice, Kichi, Loïc Locatelli Kournwsky, Luché, Dilraj Mann, Simone Massoni, Sarah Mazzetti, Mëgaboy, Millo, Maya Mihindou, Margherita Morotti, Martoz, Most Lonely Boy, MP5, Marino Neri, Nicoz Balboa, Laura Nomisake, oco, Nicolò Pellizzon, Stefano Pietramala, Gloria Pizzilli, Cristina Portolano, Irene Rinaldi, Alessandro Ripane, Thomas Rouzière, Cendrine Rovini, Sheepo, Soniaqq, Debora Cheyenne Cruchon, Tarmasz, Daniela Tieni, Giulia Tomai, Simone Tso, Lucio Villani, Viola von Hell, Flavio Zampaloni.

Cardboard box designed and produced in collaboration with the Atelier Figura/Sfondo.
Novecento font by Synthview.

Squame means scales in Italian.

If magazines have skin, wearing clothes to cover themselves, applying creams to stay youthful (at least in appearance), flaunting signatures to certify their authority, and doing everything they can to beautify the shell to hide what’s inside (which is sometimes little, sometimes old, sometimes nothing at all), the other side of publishing is made up of bare bodies, scars on display, and sometimes even scales. Scales that hide other scales: layered one on top of the other, mobile and flexible, protecting each other like tiny shields. Beneath it all, the flesh. And in Squame, a zine about “graphic experiments and poetic and/or delirious texts,” there’s certainly no shortage of it.

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